New O Books
O Books, 5729 Clover Drive, Oakland, CA 94618;
& Small Press Distribution, 1814 San Pablo Ave. Berkeley, CA 94702.
E-mail inquiries c/o email@example.com
Memory Play, Carla Harryman, 72 pages, $8.50. ISBN # 1-882022-22-x.
In Memory Play, one is neither fixed in a memory nor is one in the
(non-reactive) politicized moment of the present without memory. The
child-non-innocent Pelican, Child, Reptile, and Fish, of Carla Harryman's
play are lucid Alices (in Wonderland) observing history which as if
backwards is creating phenomena. Harryman's play creates a state that is
non/innocent in that it is our real present in our really being innocent,
rather than an idea of such in a myth state of 'Garden of Eden.'
Steve Benson says: "Suppose you had a dream life and woke up not a
person interested in telling as a story what you could recall of it as it
could be translated and tricked into the words and images of a narrative
that made sense by referring to the things of this world as your
interlocutor knows them as well as you do but woke rather or also as a
polyvocal projection of theater articulating time and personality and
politics in idiosyncratic motion and congruence much as clouds and birds in
flight make sense to that visionary in you.....
Collision Center, Randall Potts, 72 pages. $9.00. ISBN #
This is a first book by a young poet creating multiple
narratives in a collision of lyrical and hard tones, isolating words and
tones in order to allow their actuality, effectively to allow them to
Ann Lauterbach comments: "In Randall Potts' poems, nature and
language collide, and then proceed, each having been transformed by the
other. ... We witness the newly manifest being carried away on the stark
clarities of his lines, "watchlessly dis-figuring / what remains to be
seen." There is gratitude and there is terror: here they embrace.
MOB, Abigail Child, 96 pages. $9.50. ISBN # 1-882022-21-1.
Child's writing scrutinizes the factor of need, our "making need / the figure they
want," as the mind's need as contemplation of lust touching a civilization.
Bruce Andrews comments about MOB: "Only the impossible is intimate
She creates a form that isn't landscape yet is a visible
reverberation, "the sky is drunk with ... The center in front of the
future," realistic and filmic in that the non-landscape is "frames (which)
hit the screen/dependent on the intent", thus subject and object of their
own scrutiny and direction which is motivation.
Kevin Killian comments: "her new book is a fiery J'Accuse against a
war-fueled heterosexist Uberhaus that flaunts "the privilege of a window
ignoring its cost." She has always been a provocative poet and thinker, but
now she writes her twin obsessions into transparence. Between the words
vast flamethrowers aimed by angels singe and give off steam."
GROUND AIR, Scott Bentley, xerox 59 pages, $6.00. ISBN #
A first book by a young poet about whose work Jennifer
Moxley comments: "As for AIR, so what if we continue to build our loves on
the banks of sorrowful Ilion, stolen kisses and all that. At least Scott,
like Dido, knows there's more to life than duty. After all, those
paleolithic bison were so real you could've hunted them and this language
is so true that it runs a body amuck. In both we find the inherent
vulgarity of the natural, where every key or brush stroke makes desire's
ineffable history more seductive."
Kit Robinson says: "Then, having established this deceptively
enveloping GROUND, Bentley takes off into AIR, constructing intimate spaces
where 'Everything's / tender and sudden.'"