EPC/ Bruce Andrews Home Page

Bruce Andrews
Photo Credit: Star Black
Publications

Online Works

Books via Eclipse
Acappella
Corona
Edge
Film Noir (1978)
Joint Words [with John M. Bennett]
L=A=N=G=U=A=G=E [Editor, with Charles Bernstein]
LEGEND [with Charles Bernstein, Ray DiPalma, Steve McCaffery, and Ron Silliman]
The Millennium Project
Praxis
Toothpick, Lisbon, & the Orcas Islands [Editor]
Vowels

Books via EPC
Jeopardy (Awede, 1980)
& Peril (1999 reworking of this poem)
& Danger Risk Hazard Jeopardy Peril (another 1999 reworking via Archive.org)

Books via Ubu
Divestiture - A (1994)
WhDiP, a sequence from White Dialect Poetry 445pp (PDF, 825k)
Libretto from White Dialect Poetry 166pp (PDF, 476k)

Books via Coach House
Lipservice (2001)

Sound Files:
Bruce Andrews at PennSound
includes LINEbreak interview (see transcript of interview at Jacket2)

Poems:

Coldest from Open Letter Kenneth Goldsmith issue
Mistaken Identity: #1 & #4 (The East Village, 2001)
Ouch of Here [See pg. 11 of PDF] (via Archive.org)
Tabloid [See pg. 12 of PDF] (via Archive.org)
from Love Songs from Ubuweb
from Definition from Deluxe Rubber Chicken
Mars 6 / from LIP SERVICE from Deluxe Rubber Chicken
from Minute Score from Tinfish
Seven Poems from Conjunctions

Essays

Reading Lanugauage, Reading Gertruds Stein (Ubu)
Electronic Poetics - from Cybertext Yearbook 2002-2003 (UbuWeb Papers)
THE POETICS OF L=A=N=G=U=A=G=E (UbuWeb Papers)
Complete Writing on Political Economy -- from Arras (via Archive.org)
Aerializing (on Rod Smith) [See pp. 13-18 of PDF] (via Archive.org)
G O/-- (a mapping/to & fro Gil Ott) (via Archive.org)
Short Multiplication (on Daniel Davidson) (via Archive.org)
Praxis: A Political Economy of Noise & Informalism (from Close Listening, ed. Charles Bernstein)|

Interviews
“How Poignant That Sounds, Even As You Read Back the Transcript”: text of LINEbreak interview with Charles Bernstein
Interview with Dan Thomas-Glass

Performances
Crease (Whitney)

About the Author:

"A Syntax of Contrarietry" by Marjorie Perloff (1996)
"Raiding the Vernacular": A Roundtable Discussion on Bruce Andrews
(March 8, 1996)
Line And Point To Voice: Language Poetry & Urban Performance by Gilbert Adair
Two Languages Blend in Voice and Body by Jennifer Dunning
Encyclopedia Entry by Craig Dworkin
Poetic Economy and Bruce Andrews's GIVE EM ENOUGH ROPE by George Hartley [from RETHINKING MARXISM 5:4 (Winter 1992): 89-113]
Patterns of Repetition in Bruce Andrews's I Don't Have Any Paper So Shut Up (or, Social Romanticism) by Ursula Heise
Remeaning: Sound, Text, Space, and Song by William Howe
'do it, and again do it': repetition, rereading, recognition in the poetry of Bruce Andrews by Mark Leahy
Building a More Powerful Vocabulary: Bruce Andrews and the World (Trade Center) by Bob Perelman
Paradise as Praxis: A Preliminary note on Bruce Andrews's Lip Service by Peter Quartermain
Buoyant Readings (from far language: poetics and linguistically innovative poetry) by Robert Sheppard
"I'm Dracula": Bruce Andrews and White Studies by Juliana Spahr
Bruce Andrews's I Don't Have Any Paper So Shut Up (or, Social Romanticism) by Brian Kim Stefans
Smashing the Control Machine by Eric Stroshane
"I Am a Child": Poetry After Bruce Andrews and Robert Duncan by Nils Ya

Page created by Mark Peters, May 1998
edited by Andrews/Glazier, July 2001;
updated by CB June 2005 & Aug. 2010

Electronic Poetry Center (http://epc.buffalo.edu)