Books via Eclipse
Acappella
Corona
Edge
Film Noir (1978)
Joint Words  [with John M. Bennett]
L=A=N=G=U=A=G=E  [Editor, with Charles Bernstein]
LEGEND  [with Charles Bernstein, Ray DiPalma, Steve McCaffery, and Ron Silliman]
The Millennium Project
Praxis
Toothpick, Lisbon, & the Orcas Islands [Editor]
Vowels

Books via EPC
Jeopardy (Awede, 1980)
& Peril (1999 reworking of this poem)
& Danger Risk Hazard Jeopardy Peril (another 1999 reworking via Archive.org)

Books via Ubu
Divestiture - A (1994)
WhDiP, a sequence from White Dialect Poetry 445pp (PDF, 825k)
Libretto from White Dialect Poetry 166pp (PDF, 476k)

Books via Coach House
Lipservice (2001)

Sound Files:
Bruce Andrews at PennSound
includes LINEbreak interview (see transcript of interview at Jacket2)
see also Fordham page

Poems:
see also Fordham page

• Coldest from Open Letter Kenneth Goldsmith issue
• Mistaken Identity: #1 & #4 (The East Village, 2001)
• Ouch of Here [See pg. 11 of PDF] (via Archive.org)
• Tabloid [See pg. 12 of PDF] (via Archive.org)
• from Love Songs from Ubuweb
• from Definition from Deluxe Rubber Chicken
• Mars 6 / from LIP SERVICE from Deluxe Rubber Chicken
• from Minute Score from Tinfish
• Seven Poems from Conjunctions
  
• “Where Was I Been Coming From,” pp. 272-291, Vlak  
• “Four 19^th-Century Poems”: Reconfiguring Romanticism, Jerry Rothenberg blog  
• from Impatient, #11.4b, in Boog City Reader #2, p. 4
• “Dang Me” #1 & 2, Green Integer Review 
• “Dang Me” #3, 4, 5 
• from Cone Melt, “Three Poems” 
• “Pink Hints” 
• LIP SERVICE (Coach House Press: Toronto)  
• “With Strings,” Gertrude Stein excerpting   
• “49 Waltzes for the 5 Boroughs,” for & from John Cage  
•  ‘S’ from “Definition” 
• “Blueier Blue” #1- 9 
•  FACTURA (Xexoxial Editions) 
• “Rock ‘n’ Rule,”  text for duet with Sally Silvers, Joyland Poetry, ed., Nathan Austin  
• “Monkeytown”: performance text, edited live  
• “Dizzyistics #1": BARKING performance text in Pompom, 1st issue, pp. 44-45  [PDF]
•  MISTAKEN IDENTITY, from performance with Vernon Reid, edited live (Faux Press)  
• from MISTAKEN IDENTITY, #1 & 4 
• “Ball + Problem + Tactic + Clock” (a score for movement), John Zorn premiere, Score  #9  

   

Essays
see also Fordham page

• "L=A=N=G=U=A=G=E”: forthcoming in The Little Magazine in America   
•  “Reader Repo,” Talk from Rethinking Poetics Conference, pp 94-97    +       Talk PDF
• Q & A, after U.C. Berkeley Reading, at 1 hr. 16’
• “Meaning, Method, Motive: Empire & so-called Language Writing”  +     Talk in Convolutions  
• “Reading Lines Linear How to Mean” in A Broken Thing: Poets on the Line    
• “Hearing Ends in Darkness” (essay as liner notes for Jarrod Fowler's 2008 album, "'Percussion' as Percussion")  
• “Constructivism Mystery” in Vertov from Z to A, ed. Ahwesh & Sanborn  
• “What’s the Word” for Zukofsky Conference  
• “Reading Notes”  
• “Electronic Poetics”  
• “We Go Tilt-a-World,” Chain #9: Dialogue,  collaboration with Alani Apio   
• “Brechtian V-Effect Updated: Implications for Poetic Praxis”    

• Reading Lanugauage, Reading Gertruds Stein (Ubu)
• Electronic Poetics - from Cybertext Yearbook 2002-2003 (UbuWeb Papers)
• THE POETICS OF L=A=N=G=U=A=G=E (UbuWeb Papers)
• Complete Writing on Political Economy -- from Arras (via Archive.org)
• Aerializing (on Rod Smith) [See pp. 13-18 of PDF] (via Archive.org)
• G O/-- (a mapping/to & fro Gil Ott) (via Archive.org)
• Short Multiplication (on Daniel Davidson) (via Archive.org)
• Praxis: A Political Economy of Noise & Informalism (from Close Listening, ed. Charles Bernstein)|

Interviews
see also Fordham page (2012)


Dennis Büscher-Ulbrich in Jacket 2 (2010)
Bill O’Reilly‘Outrage of the Week’ (2006) + Transcript
“How Poignant That Sounds, Even As You Read Back the Transcript”: text of LINEbreak interview with Charles Bernstein
Interview with Dan Thomas-Glass
Erica Kaufman, “10 Questions for Bruce Andrews and Sally Silvers”  
Laura Erber, “Interview with B.A. & Sally Silvers” in Rio, Brazil   
Interviewing Bob Perelman, a conversation in NYC
Samuel Vriezen for PERDU, Amsterdam interview with BA & Sally Silvers  
John Wrighton, Interview   

About the Author:
see also Fordham page (2012)


• Gilbert Adair ~ on Give Em Enough Rope, in Reality Studios   
• Brian Ang ~ “Structure of The Millennium Project” (revision)  
• Brian Ang ~ on Lip Service 2001
• Joel Bettridge ~ "Reading Hurts—Masochism and LIP SERVICE as a Tortured Text"      
• Joel Bettridge ~ “Language as Politics” 2001    
• Joel Bettridge ~ "B.A.'s Lip Service and the Character of True Reading"  
• Gregg Biglieri ~ "Invitation to a Misreading: Andrews's Lip Service" in The Consequence of Innovation
• Sherry Brennan ~ “On Lip Service” 2003 
• Dennis Büscher-Ulbrich ~ "Bruce Andrews, Dissensus and the Critique of Subjectivity: or, the Poet as Editor as Reader" 2012 NPF Orono Conference
• Louis Cabri ~ "Social address and the modernist word in Louis Zukofsky, Bruce Andrews, P. Inman" — dissertation abstract 2005 
• Louis Cabri ~ “Mere Essay at Bruce Andrews’s ‘Social’”  
• Jim Cocola ~ “If It’s Real Broke Why Fix It: Bruce Andrews and Experimental Poetics” 2005/2012   
• Barbara Cole ~ "Bruce Andrews's Venus: Paying Lip Service to Écriture Féminine" 2003
• Bill Freind, "Modernism, Advertising, and Lip Service"
• Dan Glass ~ “Think Locally, Don’t Think Globally: Bruce Andrews, NWA, and ‘The Language of the Street’”              
• Daniel Kane ~ on Richard Hell  (& B.A., pp. 355-358, etc.) 2011
• Hank Lazer ~ "'to make equality less drab': The Writing of Bruce Andrews"
• Ming-qian Ma ~ “’Nonsense bargains’: Inversely-Proportional Writing and the Poetics of ‘Expenditure without Reserve’ in Bruce Andrews’s Work”    
• Jerome McGann ~ "The Apparatus of Loss: Bruce Andrews Writing" in The Point is to Change It
• Brian McHale ~ "Will the Revolution Be Televised?": on McGrath & B.A.'s 'Confidence Trick' 2004
• Peter Middleton ~ “Performing An Experiment, Performing a Poem: Allen Fisher and Bruce Andrews” 
• John Melillo ~ “Secret Locations in the Lower East Side: Downtown Poetics 1960-80” 
• Stephen Mooney ~ "Complex Time: Bruce Andrews and Joan Retallack" 2012
• Stephen Mooney ~ "Discontinuous Visuality—Brakhage’s ‘just seeing’, and background temporality in contemporary poetics" — cf. #99-124, 2009
• Paul Quinn ~ "Revoke the Sponsors" 2005/12Jed Rasula ~ “Andrews Extremities Bruce”  

  *

• "A Syntax of Contrarietry" by Marjorie Perloff (1996)
• "Raiding the Vernacular": A Roundtable Discussion on Bruce Andrews
  (March 8, 1996)
  
• Line And Point To Voice: Language Poetry & Urban Performance by Gilbert Adair
• Two Languages Blend in Voice and Body by Jennifer Dunning
• Encyclopedia Entry by Craig Dworkin
• Poetic Economy and Bruce Andrews's GIVE EM ENOUGH ROPE by George Hartley [from RETHINKING MARXISM 5:4 (Winter 1992): 89-113]
• Patterns of Repetition in Bruce Andrews's I Don't Have Any Paper So Shut Up (or, Social Romanticism) by Ursula Heise
• Remeaning: Sound, Text, Space, and Song by William Howe
• 'do it, and again do it': repetition, rereading, recognition in the poetry of Bruce Andrews by Mark Leahy
• Building a More Powerful Vocabulary: Bruce Andrews and the World (Trade Center) by Bob Perelman
• Paradise as Praxis: A Preliminary note on Bruce Andrews's Lip Service by Peter Quartermain
• Buoyant Readings (from far language: poetics and linguistically innovative poetry) by Robert Sheppard
• "I'm Dracula": Bruce Andrews and White Studies by Juliana Spahr
• Bruce Andrews's I Don't Have Any Paper So Shut Up (or, Social Romanticism) by Brian Kim Stefans
• Smashing the Control Machine by Eric Stroshane
• "I Am a Child": Poetry After Bruce Andrews and Robert Duncan by Nils Ya

photo by Susan Bee, 1980

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Electronic Poetry Center (http://epc.buffalo.edu)