• "Electronic Poetics," in 'Ergodic Poetry,' eds. Cayley and Glazier, in The Cybertext Yearbook, eds. Eskelinen and Koskimaa, 2003. Online at Ubu.com.
• "We Go Tilt-A-Whirl Again!," with Alani Apio, Chain 9, eds. Osman and Spahr, 2002.
• Poetics Talks, Calgary: housepress, 2001.
• "The Poetics of L=A=N=G=U=A=G=E," presented in Textual Operations, Artists Talk Series, White Box Gallery, New York City, 2001. Online at Ubu.com. Reprinted in Poetics Talks.
• "Reading Language, Reading Stein," presented at New York University's Gertrude Stein Symposium, 2001. Online at Ubu.com. Reprinted in Poetics Talks.
• "Brechtian V-Effect Updated: Implications for Contemporary Praxis," presented at 'The New Modernisms,' Modernist Studies Association, 1999; published in Crayon, New York, 2001.
• "Making Social Sense: Poetics & the Political Imaginary," The World in Time and Space: Towards a History of Innovative American Poetry, 1970-2000, ed. Ed Foster, Jersey City: Talisman Press, 2000.
• "GO," Gil Ott, Philadelphia: Philly Talks, 1999.
• Contemporary Poetics as Critical Theory: Bruce Andrews, ed. Rod Smith, Washington, D.C.: Aerial 9, Edge Books, 1999.
• "Aerializing," Philly Talks, Philadelphia: Poets House, 1998.
• "Praxis: A Political Economy of Noise and Informalism," in Close Listening: Poetry and the Performed Word, New York: Oxford University Press, 1998.
• "Interview: 'How Poignant...," interview by Charles Bernstein for public radio, published in Chloroform, ed. Nick Lawrence, Buffalo, 1997.
• Paradise & Method: Poetics & Praxis, Evanston, Il: Northwestern University Press, 1996. (Collects poetics essays from 1975 to 1995).
• Technology/Art: 20 Brief Proposals for Seminars on Art & Technology, with Charles Bernstein and James Sherry, Buffalo: Meow Press, 1995.
• "Pulsed Scale," O/Two. An Anthology, ed. Leslie Scalapino, Berkeley: O Books, 1991.
• "Redaction," Writing, 1991.
• "Poetry Project," excerpted in Out of This World, ed. Anne Waldman, New York: Crown Publishers, 1991.
• "Narration," Line, 1989.
• "Introduction" to Separations by Tom Beckett, Mentor: Generator Press, 1988.
• "Which Is Which," Contact Quarterly, 1986.
• "Movement/Writing," Translations: Experiments in Reading, O.ARS, 1986.

• The L=A=N=G=U=A=G=E Book, with Charles Bernstein, Carbondale: Southern Illinois University Press, 1984; second edition, 1997.
• "L=A=N=G=U=A=G=E On Line," with Charles Bernstein, co-edited section in The Line in Postmodern Poetry, eds. Frank and Sayre, University of Illinois Press, 1988.
• Public Language, from co-organized Language/Noise Festival, Public Theater/New York Shakespeare Festival, Widemouth Cassettes, Baltimore, 1982.
• L=A=N=G=U=A=G=E, with Charles Bernstein, New York: 1978-1981, online at Eclipse, Princeton; Vol. 4 co-published as Open Letter 5:1, Toronto: 1982.

(Collected online, along with unpublished papers, ed. Brian Kim Stefans, Arras, 2003.)


• "The Domestic Content of International Desire," International Organization, Spring 1984.
• "The Political Economy of World Capitalism," International Organization, Winter 1982.
• "The Language of State Action," special issue: Language and Politics, International Interactions, 1980.
• "Privacy and the Protection of National Security," in Privacy, a Vanishing Value, edited by William Bier, New York: Fordham University Press, 1980.
• "Criticizing Economic Democracy," Monthly Review, May 1980.
• "Violence from Above: The Political Economy of Authority," with M. Parvin, Northeast Peace Science Review, 1979.
• Public Constraint and American Policy in Vietnam, Monograph, Sage Professional Papers in International Studies, 1976.
• "Social Rules and the State as a Social Actor," World Politics, July 1975.

(Text & music compositions; with choreography & co-direction, Sally Silvers. Stagings: New York City premieres. Selected performance texts published in Ex Why Zee, New York: Roof Books, 1995.)


• "Spaced Out," Dance Theatre Workshop, 2003; sound-engineered text forthcoming as audio installation from year-long residency at Engine 27, New York City.
• "Strike Me Lightning -- nuns & cyborgs," P.S. 122, 2002.
• "With Strings," Gertrude Stein Symposium, Judson Memorial, 2001.
• "Dizzyistics," Roulette, 2001.
• "Live Choreography," Construction Company, 2001.
• "Storming Heaven: over a century of revolution," The Kitchen, 2000.
• "Crease," Whitney Museum of American Art, 'Impulsive Behavior' series, 1999.
• "ABCDare," Neuberger Museum, SUNY-Purchase, N.Y., 'The Next Word'.
• "Hushhush," Dance Theatre Workshop, 1998; Joyce Theater, Altogether Different Festival, 1999,
• "Secrets Of," Dance Theatre Workshop, 1997.
• "Pandora's Cake Stain," The Kitchen, 1996.
• "Politics of the Body Microscope of Conduct," Judson Memorial, 1993; P.S. 122, 1994)
• "Oomph by Reg," on Benjamin's Moscow Diaries, Roulette, 1991.
• "Who Shouted?" on the Lacandon Maya, P.S. 122, 1989, text in Sulfur No. 28, 1991.
• "Don't Tread On Me While We Tread On You," on Coriolanus, William Walker and U.S. soldiers of fortune in 1850's Nicaragua, P.S. 122, 1987.
• "Be Careful Now You Know Sugar Melts in Water," P.S. 1, 1987.
• "Every All Which Is Not Us," Washington Square Church, 1986; multi-instrumental solo performance tape mix, Xexoxial cassette, 1987.
• "Gender Damage Kabuki," P.S. 122, 1985.
• "I Can't Hear You, Make a Mistake," Roulette and, in San Francisco, New Langton Arts, 1983.
• "BARKING," trio compositions for performances with Sally Silvers and Tom Cora, Cultura y Furnitura, 1981, St. Marks Poetry Project, 1982.

(Revised June 2003 -- an older version of this bibliography appeared in I Am A Child: Poetry After Robert Duncan and Bruce Andrews, eds. Ben Friedlander and William Howe, Buffalo, NY: Tailspin Press, 1994)