Electronic Edition 1.0 copyright 1995 by Loss Pequen~o Glazier
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                  CREELEY: A PRIMARY BIBLIOGRAPHY (In Progress)


SELECTED BOOKS: Le Fou (Columbus, Ohio: Golden Goose Press, 1952);

The Immoral Proposition (Karlsruhe-Durlach/Baden, Germany: Jonathan
		  Williams, 1953);

The Kind of Act Of (Palma de Mallorca, Spain: Divers Press, 1953);

The Gold Diggers (Palma de Mallorca, Spain: Divers Press, 1954);
		  enlarged as The Gold Diggers and Other Stories
		  (London: John Calder, 1965; New York: Scribners,
		  1965);

A Snarling Garland of Xmas Verses, anonymous (Palma de Mallorca,
		  Spain: Divers Press, 1954);

All That Is Lovely in Men (Asheville, N.C.: Jonathan Williams, 1955);

If You (San Francisco: Porpoise Bookshop, 1956);

The Whip (Worcester, England: Migrant Books, 1957; Highland, N.C.:
		  Jonathan Williams, 1957);

A Form of Women (New York: Jargon Books in association with Corinth
		  Books, 1959;

Fontwell, Arundel, Sussex, England: Centaur, 1960);

For Love: Poems 1950-1960 (New York: Scribners, 1962);

The Island (New York: Scribners, 1963; London: John Calder, 1964);

Words (Rochester, Mich.: Perishable Press, 1965; enlarged as Words New
		  York: Scribners, 1967);

Poems 1950-1965 (London: Calder and Boyars, 1966);

The Charm: Early and Uncollected Poems (Mt. Horeb, Wisc.: Perishable
		  Press, 1967; enlarged as The Charm: Early and
		  Uncollected Poems (San Francisco: Four Seasons
		  Foundation, 1969; London: Calder and Boyars, 1971);

Robert Creeley Reads (London: Turret Books/Calder and Boyars, 1967);

A Sight (London, Cape Goliard, 1967)[LG1];Divisions and Other Early
		  Poems (Mt. Horeb, Wisc.: Perishable Press, 1968);

The Finger (Los Angeles: Black Sparrow Press, 1968); enlarged as The
		  Finger: Poems 1966-1969 (London: Calder and Boyars,
		  1970);5 Numbers (New York: Poets Press,
		  1968);Numbers (Stuttgart, Germany: Edition Domberger
		  / D’sseldorf, Germany: Galerie Schmela, 1968);

Pieces (Los Angeles: Black Sparrow Press, 1968; New York: Scribners,
		  1969);

Mazatlan: Sea (San Francisco: Poets Press, 1969);

In London (Bolinas, Calif.: Angel Hair Books, 1970);

A Quick Graph: Collected Notes and Essays, edited by Donald Allen (San
		  Francisco: Four Seasons Foundation, 1970);

1(2(3(4(5(6(7(8(9(0 (Berkeley: Shambala; San Francisco: Mudra, 1971);

St. Martin's (Los Angeles: Black Sparrow Press, 1971);

A Day Book (Berlin: Graphis, 1972); expanded edition including "In
		  London," New York: Scribners, 1972);

Listen (Los Angeles: Black Sparrow Press, 1972);

A Sense of Measure (London: Calder and Boyars, 1972);

The Class of '47, with Joe Brainard (New York: Bouwerie Editions,
		  1973);

Contexts of Poetry: Interviews 1961-1971, edited by Donald Allen
		  (Bolinas, Calif.: Four Seasons Foundation, 1973);

The Creative, issued as Sparrow 6 (Los Angeles: Black Sparrow Press,
		  1973);

For my mother: Genevieve Jules Creeley, 8 April 1887-7 October 1972
		  (Rushden, England: Sceptre Press, 1973);

His Idea (Toronto: Coach House Press, 1973);

Inside Out, issued as Sparrow 14 (Los Angeles: Black Sparrow Press,
		  1973);

Thirty Things (Los Angeles: Black Sparrow Press, 1974);

Backwards (Knotting, England: Sceptre Press, 1975);

The Door: Selected Poems (Dusseldorf/M’nchen, Germany: S Press,
		  1975);

Away (Santa Barbara, Calif.: Black Sparrow Press, 1976);

Hello (Christchurch, New Zealand: Hawk Press, 1976);

Mabel, A Story: and Other Prose (London: Marion Boyars, 1976);

Presences: A Text for Marisol (New York: Scribners, 1976);

Selected Poems (New York: Scribners, 1976);

Was That a Real Poem or Did You Just Make It Up Yourself , issued as
		  Sparrow 40 (Santa Barbara, Calif.: Black Sparrow
		  Press, 1976); enlarged as Was That a Real Poem and
		  Other Essays, edited by Donald Allen with a
		  chronology by Mary Novik (Bolinas, Calif.: Four
		  Seasons Foundation, 1979);

Mabel: A Story (Paris: Editions de l'Atelier Crommelynck, 1977);

Desultory Days (Knotting, Bedfordshire, England: Sceptre Press, 1978);

Myself (Knotting, Bedfordshire, England: Sceptre Press, 1977);

Thanks (Old Deerfield, Mass.: The Deerfield Press; Dublin, Ireland:
		  The Gallery Press, 1977);

Hello: A Journal, February 29-May 3, 1976 (New York: New Directions,
		  1978; London: Marion Boyars, 1978);

Later: A Poem (West Branch, Iowa: Toothpaste Press, 1978);

Later (New York: New Directions, 1979; London: Marion Boyars, 1980);

Corn Close (Knotting, Bedfordshire, England: Sceptre Press, 1980);

Mother's Voice (Santa Barbara. Calif.: Am Here Books/Immediate
		  Editions, 1981);

The Collected Poems of Robert Creeley, 1945-1975 (Berkeley: University
		  of California Press, 1982);

Echoes (West Branch, Iowa: Toothpaste Press, 1982);

A Calendar 1984 (West Branch, Iowa: Toothpaste Press, 1983);

Mirrors (New York: New Directions, 1983);

The Collected Prose of Robert Creeley (New York and London: Marion
		  Boyars, 1984; corrected edition, Berkeley:
		  University of California Press, 1988);

Memory Gardens (New York: New Directions, 1986);

The Company (Providence: Burning Deck, 1988);

Window (Buffalo: The Poetry/Rare Books Collection, SUNY at Buffalo,
		  1988);

7 & 6 (Albuquerque: Hoshour Gallery, 1988);

"Autobiography," Contemporary Authors Autobiography Series, 10
		  (Detroit: Gale, 1989): 61-77; reprinted as
		  Autobiography (Madras, India and New York: Hanuman,
		  1990); also reprinted in Tom Clark, Robert Creeley
		  and the Genius of the American Common Place (NY: New
		  Directions, 1993): 122-144;

The Collected Essays of Robert Creeley (Berkeley : University of
		  California Press, 1989);

Dreams (New York: Periphery / Salient Seedling Press, 1989);

It (Zurich, Switzerland: Bruno Bischofberger, 1989);

Robert Creeley: a Selection, 1945-1987 (New York: Dia Art Foundation,
		  1989);

Have a Heart (Boise: Limberlost Press, 1990);

Places (Buffalo: Shuffaloff Press, 1990);

Windows (New York: New Directions, 1990);

Gnomic Verses (La Laguna, Canary Islands: Zasterle Press, 1991);

The Old Days (Tarzana, Calif.: Ambrosia Press, 1991);

Selected Poems (Berkeley: University of California Press, 1991);

Life & Death (New York: Gagosian Gallery, 1993);

Echoes (New York: New Directions, 1994);

Loops: Ten Poems (Kripplebush, NY: Nadja, 1995).

RADIO SCRIPTS: Listen, London, 1972.

OTHER: Black Mountain Review, edited by Creeley (No. 1-7, Spring
		  1954-Autumn 1957); reprinted with an added
		  introduction as Black Mountain Review (Vol. 1-3, New
		  York: AMS Press, 1969);

Charles Olson, Mayan Letters, edited with a preface by Creeley (Palma
		  de Mallorca, Spain: Divers Press, 1953; London:
		  Cape, 1968);

New American Story, edited by Creeley and Donald Allen (New York:
		  Grove, 1965; Harmondsworth, England: Penguin Books,
		  1971);

Selected Writings of Charles Olson, edited with an introduction by
		  Creeley (New York: New Directions, 1966);

The New Writing in the USA, edited by Creeley and Allen with an
		  introduction by Creeley (Harmondsworth, England:
		  Penguin, 1967);

Whitman: Selected Poems, edited with an introduction by Creeley
		  (Harmondsworth, England: Penguin, 1973);

The Essential Burns, edited with an introduction by Creeley (New York:
		  Ecco, 1989);

Charles Olson, Selected Poems, edited with an introduction by Creeley
		  (Berkeley: University of California Press, 1993).