Karen Mac Cormack
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after Kiefer's Lillith       at the Tate/June 1997
what leads to follow
undergrowth's subversion  of clarity
reminded of statistics' chance
to place motion slows
this turning
about fullness
distorts to flat
or the wind picks up
becomes sway
mayhem as seam of any encounter
calmest images for event's are furthest away
but if still periphery's function is
to shift unravelling to another
dart or hem there is no centre
for these pockets reinforce disruption
binding to button eyelet to hook
what's interface
by design begs astray

 

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