Editors:	Susan Bee and Mira Schor.


	Address:	Mira Schor
			60 Lispenard Street
			New York, NY 10013

E-Mail:

Issn:
Frequency: Two issues/year.

Sub.Cost:	2 ISSUES (1 YEAR)	4 ISSUES (2 YEARS)
	$12 for individuals	$24 for individuals
	$20 for institutions	$40 for institutions

(Back issues available: $6 each.)

*Foreign subscribers, please pay by international money order in U.S. dollars and add $10 per year for shipping abroad; to Canada, add $5
All checks should be made payable to Mira Schor at the above address.

In its eighth year, M/E/A/N/I/N/G, an artist-run journal of contemporary art, remains an important meeting ground between critical and theoretical ideas and language, and the actual practice of visual art by working artists. It is an inclusive, lively, contentious, provocative, and unprogrammatic forum for new ideas in the arts.

Library Journal writes about M/E/A/N/I/N/G: "This attractive, large-format critical journal contains controversial and provocative comments and reviews related to the contemporary art scene. This eminently readable journal, which seems to display a particular interest in womene's issues, gives voice to new views and is an excellent choice for medium and larger academic collections."

M/E/A/N/I/N/G #16 features:

Working Conditions: A Forum on Art and Everyday Life by Younger Artists with statements by forum guest editors Julia Jacquette and Lawrence Lipkin, and by Douglas Anderson, Jimbo Blachly, Serena Bocchino, Richard Brown, Kathe Burkhart, Kevin deForest, Jason Fox, Ava Gerber, Hilary Helfant, Lisa Hoke, Jenifer Kobylarz, Robert Kuszek, Mery Lynn McCorkle, Michael Mikulay, Holly Miller, Gregory Montreuil, David Moreno, Portia Munson, Kathryn Myers, Paul Pagk, Alix Pearlstein, Enoc Perez, Rebecca Quaytman, Trudie Reiss, Christian Schumann, Kate Shepherd, Amy Sillman, Hugh Steers, Laura Stein, Danny Tisdale, Nicola Tyson, Anthony Viti, Derek Weiler, Michael Windle, Karen Yasinsky, and Alexander Zane.

Also in this issue: Essays on art in the technological era by Charles Bernstein and Johanna Drucker; an interview with Thomas McEvilley by Dominique Nahas; and a book review by Misko Suvakovic.

Excerpts from issue #16, Fall 1994:

"I see no contradiction in being an artist in a media-based culture. TV, movies, and advertising are potentially just as interesting as works in the traditional fine arts. Conversely, paintings can be potentially more boring than a string of commercials." -- Kathe Burkhart

"If Sex, Race, and Homophobia, are the major headlines of art at the close of the 20th century then how do I, as a formal, geometric, abstract painter fit in?" -- Michael Windle

"Painting has become pure spectacle losing its power to do harm. It has become like the oppressed feminine: domestic,shallow, empty, ineffectual, fickle, decorative." -- Rebecca Quaytman

"When I first found I could make artwork about the frustration, anguish, and stupidity of my own life, I wept with relief." -- Julia Jacquette

"In many ways I think my work is about terror management, the control of phobia through humor." -- Amy Sillman